The way Britney Spears’ Baby One More Time was constructed, for example, has influenced all pop music since then. Through these experiments, an entirely new genre of music blossomed, one that seemed tailor-made for the age of manufactured boybands and girl groups. The team at Cheiron followed Pop’s example, experimenting in clubs across the capital with up to a hundred different versions of each new track – meticulously documenting the combinations of beats and melodies that made the club crowds go wild. The secret of their songwriting success was to marry the melody to the beat, not work against it, and to have a big chorus. Over the next eight years they would go on to sell hundreds of millions of records through the likes of Ace of Base, 5ive, Robyn, Boyzone, Backstreet Boys, Westlife, *NSYNC and Britney Spears. In a basement in Stockholm’s suburbs, Pop brought together an elite team of eight songwriters and producers for a new venture – Cheiron Studios – in 1992. His methods were seen as wildly controversial at the time, according to fellow DJ Stonebridge, who first met Pop at the Ritz nightclub, situated in Stockholm’s Örebro subway station. Instead, he looked for ways to connect the divide between music that was popular in clubs and music that was popular on the radio. What he could do, though, was craft a song from stitching together electronically programmed sounds and beats.Įmerging from the underground club scene in 1986, Pop wasn’t interested in catering for the club crowd alone. He couldn’t sing, play an instrument, or write a song. There was something magical, almost religious.”ĭenniz Pop didn’t fall into music the traditional way. “He was just a music producer, but he had some sort of effect on people. “He just put together a bunch of people who really had nothing to do with each other, and he created this band of brothers,” says songwriter Andreas Carlsson, one of Pop’s disciples. His legacy was to turn Sweden in to a global musical superpower, an unstoppable melodic machine churning out the most successful songwriters of his – and almost every other – generation. Dagge loved pop music so much he even changed his name – to Denniz Pop. Our modern understanding of pop was the brainchild of one man – a blonde mulleted DJ from Stockholm called Dagge Volle. Inside Beijing’s underground rock scene Eight ideas that changed the history of Western music
This mysterious sound was a rigid formula of melodic minimalism, epic hooks and drops, melancholy, euphoria and mathematical algorithms. But by the turn of the millennium, the pop that dominated our charts hailed from a cold, dark corner of northern Europe called Sweden.
It was an era when the very definition of ‘pop’ went from being a mere abbreviation of the word ‘popular’ to a precise musical theory.Įver since Elvis Presley first shook his hips, pop has been the sound of teenage bedrooms, school discos and Saturday morning television.
Forget rave, grunge and garage – if you were a teenager growing up in the 1990s, the real revolution in music happened in pop.
0 kommentar(er)
